Cordelia clearly loves her father, and yet realizes that her honesty will not please him. One can read this play again and again, and still be struck anew by Shakespeare's utter mastery over language; surely there is no other writer who had so full a sense of, and who used to such merciless ends, the pow In Lear we see a flawed figure who by misfortune and loss finally comes to revelation and personal transformation.
While Lear mistakenly entrusts the shallow professions of love from his "thankless" daughters - Goneril and Regan - instead of the selfless words of Cordelia, Gloucester shadows a similar ignorance by initially entrusting love in the evil Edmund, rather than Edgar, whom In "King Lear", it is noted from the beginning of the play that both Lear and Gloucester suffer from self-approbation and will consequently find revelation by enduring "the rack of this tough world".
In that sense, these characters are perfect tragic figures, perhaps not necessarily realistic but powerful and moving nonetheless. Like the Poet of Job, who dramatized the tragic alternatives to the folk story, and like Marlowe, who saw the elements of tragic dilemma in the story of Faustus, Shakespeare transformed the tale of the mythical, pre-Christian King Lear "who ruled over the Britons in the year of the worldat what time Joas ruled in Judah" into a dramatic action whose shape and quality define Christian tragedy in its full development Cordelia clearly loves her father,… …n Lear we see a flawed figure who, through misjudgment, misfortune and loss, eventually comes to revelation and personal transformation.
The story revolves around the King who foolishly alienates his only truly devoted daughter and realizes too late the true nature of his other two daughters.
Edmund has devised a scheme to discredit his brother Edgar in the eyes of their father Gloucester.